Jason Heller’s “The Raincaller” is, like several other pieces in the magazine, a love story. Sybil’s is fond of having stories that set off strange resonances with each other, and “The Raincaller” benefits from its juxtaposition with the Jessup story as well as the transformations occurring on other pages. Similalry, Sean Markey’s “Waiting for the Green Woman” echoes against Canter’s piece, “Mother’s Garden” by Rumjhum Biswas, and Liz Bourke’s poem, “The Girl” almost eerily.