In this issue’s short fiction, P.H. Low takes craft to the extreme in “The Will of the God of Music,” and Effie Sieberg’s “There’s Magic in Bread” connects lessons of the past to the problems of the present; in flash fiction, Mari Ness takes a hard-hitting look at current magical trends in “Enchanted Mirrors Are Making a Comeback. That’s Not Necessarily a Good Thing,” and in Aimee Ogden’s “Moments of Doubt” an absence of evidence leaves us guessing about the fate of the evidently absent; in poetry, we have “The Distance Between Us” by Rati Mehrotra and “Possession” by Tonya Liburd. Plus an interview with the author of The Changeling, The Ballad of Black Tom, and Lone Women, Victor LaValle. Enjoy!

In this issue’s short fiction, Lowry Poletti’s “The Dead Return in Strange Shapes” explores what binds us to the past, and Malda Marlys takes us east of the sun and west of the moon in “A Princess With a Nose Three Ells Long”; in flash fiction, Cynthia Gómez wants us to know that “The Books Would Like a Word,” and in “Secondhand” S.L. Harris revisits a different fairytale adventure from an unusual perspective; for poetry, we have “The Mermaids of Magonia” by Carina Bissett and “Food for Thought” by Lisbeth Coiman. Plus essay “The Societal Cost of Magic” by Moses Ose Utomi, author of The Lies of The Ajungo and “The Mirror Test”. Enjoy!

In this issue’s short fiction, Erin Brown grows a little hope in “Skyscrapers That Twist to the Sun,” and “Broodmare” by Flossie Arend gives us a dark glimpse into the future; in flash fiction, Ruth Joffre turns the lens on us in “A Brief Catalog of Humans, as Observed by the Cryptids of Encante,” and in “Monsters” by Liz Colter peels away some uncomfortable layers; for poetry, we have “As the Witch Burns” by Marisca Pichette and “I Should Have Been A Pair of Ragged Claws” by Alice Towey. Plus an interview with Infomocracy, And Other Disasters, and The Mimicking of Known Successes author Malka Older. Enjoy!

In the September issue of Fantasy Magazine . . .

Flash fiction by Jen Brown (“The Probability of One”) and Samantha Murray (“This Blue World”); short stories by Jennifer Hudak (“The Weight of It All”) and K.S. Walker (“How to Join a Colony of Sea-Folk, or, Other Ways of Knowing”); poetry by Sharang Biswas (“I Kissed a Dragon”) and Angel Leal (“The Hole is the Beginning”); and Part 2 of our interview with the Locus Awards top ten finalists.

In this issue’s short fiction, Eliza Chan explores gender and power across generations in “The Tails That Make You,” and P H Lee’s “A True and Certain Proof of the Messianic Age, with two lemmas” brings us folklore through an algorithmic lens; for flash fiction, Mary Soon Lee explores classic fairy tales through a different lens in “Introduction to Couture 101,” and M. H. Ayinde grows something new in “Girlfriend Material”; for poetry, we have “The God’s Wife” by Nana Afadua Ofori-Atta and “The Himba Destroyer” by Yvette Lisa Ndlovu. Plus! A collective interview (part one of two) with several of the Top Ten Finalists for this year’s Locus Awards, from the Best Fantasy Novel category.

In the July issue of Fantasy Magazine . . .

Short fiction by Boloere Seibidor (“Odd Peas in a Pod) and Sabrina Vourvoulias (“The Memory of Chemistry”); flash fiction by Lindsey Godfrey Eccles (“A Star is Born”) and Michelle Muenzler (“The Life and Death of Atomic Tangerine”); poetry by Shilpa Kamat (“Goldilocks”) and AJ Wentz (“Self-Inflicted Haunt”); and an interview with author RF Kuang.

In this issue’s short fiction, Fatima Taqvi gives us happy endings where none are expected in “Baba Nowruz Gives His Wife a Flower Only Once a Year,” and Sara S. Messenger’s “Potemora in the Triad” is an earth-shaking kind of coming-of-age story; in flash fiction, Victor Forna explores cosmic consequences in “rat/god”, and revenge could be quite tasty in “The Magical Sow” by Wen Wen Yang; for poetry, we have “Georgia Clay Blood” by Beatrice Winifred Iker and “noonday reflections” by Doriana Diaz. Plus we have essay “Oral Storytelling and Culture as Personal Canon” by 2022 Nebula finalist Suzan Palumbo. Enjoy!