Fantasy magazine

From Modern Mythcraft to Magical Surrealism





All the King’s Women: Annie Wilkes is the Mother Goddess of Cocaine

Annie Wilkes is standing at the foot of the bed, sledgehammer in her hand. From certain angles, the hammer looks like an axe. From certain angles, she reminds you of your mother. When she speaks, you hear the voice of your dealer. When she looks down at you, she’s every undeniable mouth-breather who’s ever trapped you in a conversation you could not escape.


Reclaiming a Traditional African Genre: The AfroSurrealism of Ngano

I fell in love with AfroSurrealism when I was drafting the stories for my forthcoming debut short story collection Drinking from Graveyard Wells (University Press of Kentucky, 2023). So many absurd things have happened in my life. I bought a loaf of bread for ten million dollars when hyperinflation hit my country, Zimbabwe, which means that I’ve been a penniless billionaire; I’m only twenty-six and have lived under two dictatorships.


Oral Storytelling and Culture as Personal Canon

As writers, we’re commonly asked which authors have influenced our work. As a follow-up question, we may be prompted to discuss movies, TV series, media properties, etc. that have been impactful in shaping our writing. These are valid questions that shed light on our creative impetus, style, and tastes. That said, such questions often give me pause. In responding, I must make the decision to provide what I perceive as the expected answer, or challenge the assumption that the major influence on my writing has been my consumption of narratives in a physical or visually recorded form.


Stereotypes, Godhood, and The Wicked + The Divine

(Note: this essay contains major spoilers for The Wicked + The Divine.) I am a first-generation Indian-American. I did well in school. I am a “model citizen,” not even a current speeding ticket on my record. In The Wicked + The Divine (WicDiv) by Kieron Gillen and Jamie McKelvie, every 90 years, twelve young adults are told they’re gods from various pantheons. They will be loved. They will be hated. They will be brilliant.


All the King’s Women: the Fats

Stephen King hates fat people. Like all fat people, but especially fat women, I have to accept that most of the creators I admire and respect have intractable issues with my body. They feel perfectly entitled to use it as a joke, or as the site of horror and degradation, or a proof of failure, or a metaphor for avarice, sexlessness, and/or evil. I must also prepare myself for interactions where my body is in danger (hospitals, doctors offices, interactions with the law) for the derision and devaluation my body will be afforded, because that hatred seeps through fiction to fact, from joke into policy, and is obvious at every level of public interaction.


Worldbuilding With Legs: Incorporating Insects into Your Stories

So I hear you’re writing a fantasy story! May I suggest the addition of some charismatic microfauna? What about uncharismatic? Um, what if we make them macrofauna? No?

Arthropods get the short end of the stick in the average fantasy tale. Oh sure, there are biting flies in the Marshes We Must Cross to Deliver the MacGuffin; a local witch keeps a few hives of Slightly Strange Bees; the heroes might defeat Scorpions Of Unusual Size now and then. But what if we developed more unusual candidates and gave them some power in the plot? Real insects provide us with everything we need for a variety of fictional functions!


We Are the Mountain: A Look at the Inactive Protagonist

Let me take you through the anatomy of an active protagonist, one that everyone can relate to. We’ll make our protagonist—we’ll call him John—young and healthy, male, of humble origins (perhaps he’s from a farming village). But his status will not be humble for long, for John is dreaming of greatness someday, or adventuring across the world, or perhaps winning the heart of the most beautiful princess throughout the faux medieval European continent he hails from.


How to Steal a Million Dollars Dragons

Most of us identify as lawful/neutral good, aspiring to the ideals of truth and justice and equity. Why is it, then, that heists and cons are so compelling in fiction? Why cheer for the robbers, the con artists, the swindlers . . . when they go against everything we believe in? Other than the fact […]


The Fiction of Peace, the Fantasy of War

As an American millennial, my country has been legally at war for more than half of my life. As a Black person in the United States, and as someone aware of the displacement and genocide of indigenous Americans, I would say the country has been at war with itself since its beginning. War seems as ubiquitous in fantasy novels as it does in the real world.


The Validity of Escapism

I was a lonely kid. As a nerdy, quiet child with big glasses and braces, I was at the bottom of the social pecking order. Books—fantasy books in particular—were my escape. I gravitated toward stories where the underdog gets what they want through sheer determination or discovers they have magical powers, or both.