There’s a lot about identity in this story—when fairies steal your name, what does that mean?—and tattoos are a way to tie yourself to yourself, to mark your sense of yourself and your history on your skin. Flowers also felt right for these characters; flowers are the rock stars of nature—flamboyant, dramatic, and unexpected, which was the vibe I wanted for the world of faerie they inhabited—a punk rock version of the natural world. Flowers are also incredibly genderqueer.

In one of the earliest golem stories, the Golem of Chelm is destroyed because its creator fears it will eventually consume the whole world. However, in Jewish stories, the creator of the golem isn’t an all-powerful figure who has succumbed to hubris, like the Sorcerer’s Apprentice, summoning magic he cannot control. He is a member of an oppressed community trying desperately to protect the people he cares about. I think the golem myth is one example of how we can reimagine our relationship to the things we create.

I wanted to do a story that had a joyful, positive spirit for once. Usually, I like to tell dark stories, so it was a nice change. The idea itself came from my attempt at finding “the source” of a powerful, positive feeling. I thought of and gathered things that have been good in my life, and my mother was top of the list.