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For me, writing is not an easy thing. Of course, there are days when everything flows perfectly, when the words dance out of me like they were always meant to exist and all I have to do is let them flow. But those days are far outnumbered by the ones when the blank page mocks […]
Storytelling is a practice in my culture that is always a conversation between different generations and different beings—it is a conversation that takes place across time and space. I wanted to reflect that very organically in this piece.
Creation myths are the stuff of old, intuitive science. They are the stories that attempt to explain the source of the universe and the very beginnings of life. Creation myths are not synonymous with folktales, animal stories, or playful allegories that instill morals and values. They are, ultimately, our embellished truths—complete with fucking gods, incest, […]
From the title onward, this is a story built in stark, vivid color. The white train, the black feathers, the red western sky. How important was the visual landscape of “Black, Their Regalia” to the inception of your story? “Black, Their Regalia” was inspired by the colors in my home. One morning, I opened my […]
I didn’t grow up dreaming in color. I dreamed in white. Not my literal dreams, the thoughts that flickered within my mind’s eye while I dozed. In those dreams I was a frizzy-haired black girl with unkempt hair and an overbite, same as I was in my daily life. Those nightly dreams were cast in […]
What was the inspiration for this story? Wow, that’s kinda complicated, and I’m reconstructing from six years later, but here’s my memory of what happened: My good friend Michael Ellsworth is a historical linguist and an Ancient Greece nerd, and he had been telling me awesome things about both. One day he sent me a […]
I wanted to start with the idea of the origin story. Every writer has one, and it’s always interesting to hear how writers of color navigated the choppy waters of reading fantasy early on and then deciding to write it. I remember searching for myself, in that languageless sort of way we do when we’re young and don’t know the larger meaning of our search.
When it comes to worldbuilding, especially in fantasy, it’s those little elements that add texture to the setting: the clothing, the food, the architecture, the color and scents. The world of the Ten Chiefdoms has diverse inspirations: from Central Africa to the Caribbean. So you see bits of history, music, folklore, politics, and even dialect, of these vast regions interwoven throughout.
Retellings appeal to me for the same reason multi-threaded stories appeal; I don’t know what it’s like to have only one perspective on anything. I have lived between cultures all my life, and I’m not entirely part of any one. I’m always super-aware of which part of my world is accessible to the people I’m with; even my accent shifts, mid-sentence, depending on who I’m addressing.
Hal Duncan is the author of many novels, stories, poems, blog posts, and other works, including the Book of All Hours diptych, Vellum and Ink, as well as the novella Escape from Hell! (Monkeybrain Books), the chapbook An A to Z of the Fantastic City (Small Beer Press), the libretto Sodom! the Musical, the essay Rhapsody: Notes on Strange Fiction (Lethe Press), and the story collection Scruffians! (Lethe Press). Vellum was nominated for the Crawford, Locus, BFS, and World Fantasy awards, and won the Spectrum, Kurd Lasswitz and Tähtivaeltaja awards; both Rhapsody and Scruffians! are, as I write this, nominated for the BFS award.
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